ANALYSIS OF PHRASEOLOGY IN W. SOMERSET MAUGHAM NOVEL "THEATRE" - Студенческий научный форум

XI Международная студенческая научная конференция Студенческий научный форум - 2019

ANALYSIS OF PHRASEOLOGY IN W. SOMERSET MAUGHAM NOVEL "THEATRE"

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1.Biography of the author and his creative activity

William Somerset Maugham is one of the best known English writers of the 20th century. He was not only a novelist, but also a one of the most successful dramatist and short-story writers.

He was born in Paris in 1874. Somerset Maugham was to lead a fascinating life and would become famous for his mastery of short evocative stories that were often set in the more obscure and remote areas of the British Empire. Suffering from a bad stammer, he received a classic public school education at King's school in Canterbury, Kent. Rather more unconventionally, he studied at Heidelburg university where he read philosophy and literature. He then studied in London, eventually qualifying as a surgeon at St Thomas' hospital. He conducted his year's medical practice in the slums of the East End. It was here that he found material for his first, rather lurid, novel Liza of Lambeth in 1897 and much of the material for his critically acclaimed autobiographical novel Of Human Bondage although this wasn't to be published until 1915.

He moved to Paris where he would strike up a successful working relationship with Laurence Housman and write a number of plays that would be run in London from 1908. At the outbreak of The Great War he first served with a Red Cross unit in France before taking up a far more interesting assignment as secret agent in Geneva and then Petrograd. In Russia, he was given the rather mammoth job of attempting to prevent the Russian Revolution from starting. His novel Ashenden, published in 1928, would draw on these eclectic experiences.

Continuing with more peacable travels, Maugham took to the South Seas, where he visited the island of Tahiti and on which he based his novel The Moon and Sixpence. Sickness would then force Maugham to return home and remain in a Scottish tubercoulosis sanatorium. However, on recovery, he returned to the Far East and collected imperial information and experiences that would form the basis of many short stories, plays and novels: East of Suez in 1922, Our Betters in 1923 and The Letter in 1927, are amongst the better known of these.

Returning to settle in France in 1928, he wrote what many regard as his satirical masterpiece Cakes and Ale. A literary biography within a novel that examined the private sin that accompanies public success. The winds of war would not allow Maugham to remain in France indefinitely. A British agent once more, he was forced to flee from France with a single suitcase one night in 1940. He settled in the United States for the duration of the war, writing the semi-mystical The Razor's Edge there in 1945.

Somerset Maugham was the master of the short, concise novel and he could convey relationships, greed and ambition with a startling reality. The remote locations of the quietly magnificent yet decaying British Empire offered him beautiful canvasses on which to write his stories and plays. The real-life inhabitants of these locations were frankly shocked at being portrayed as so trivial, parochial and vacuous creatures. Maugham would enjoy the undying hatred of many a South-East Asian planter and his wife for the rest of his life. Yet, for the rest of us, his realistic depictions of the boredom and drudgery of plantation life, and the desire and trappings of what they would regard as civilisation, can re-evoke what were perhaps the more genuine feelings felt by many of the planters and civil servants in the further flung reaches of the Empire. His English is clear and lucid and this makes his books easy to come to terms with. His works are often full of the basest, and yet more interesting, of the human vices but can still evoke the day to day feelings and emotions that allow us to understand and identify with his characters. A complex and interesting character, Somerset Maugham managed to catch much of the darker essence of Empire.

2. General characteristics of the work

Summary:

The story begun, when Michael Gosselyn, fifty two year-old theater worker, met his wife Julia, a successful actress, in a room behind the scene. They had a conversation, and Michael told Julia about his new clerk. He added, that this guy was a devoted admirer of Julia’s talent. Then Gosselyn called his clerk and introduced him to Julia. Afterwards, conjoins decided to invite young man to their house to lunch with them. By the way, his name was hidden form a reader, because even his employer didn’t know his mane.During this visit, clerk was very shy, he smiled stiffly. But notwithstanding his general behavior, he payed some compliments to Julia. After the end of lunch, actress signed her own photograph and presented it to the clerk. Then her husband and the young man went away, and she started looking through her other photographs. After a couple of minutes she was completely in her reminding.
Then author gives small biographies of Julia and Michael to the reader. Gosselyn was mediocre actor, but in the beginning of his career, Michael had met Jimmie Langton, a flippant director, and joined his troupe. Because of this and his wonderful appearance, Gossleyn became rather famous. Julia had a different situation – she was a born actress. She began playing at the age of twelve, and after some period of time she was spotted by Jimmie, and invited her to join his troupe. He didn’t pay lots of money to his actors, but there was something extraordinary in his personality, and Julia agreed. In Jimmie’s troupe future conjoins met with each other.

3.List of phraseological units

As poor as a church mouse

Беденкакцерковнаямышь

To keep the eyes open

Быть всегда начеку

To take care to queer the pitch

Делать все, чтобы испортить игру

To be as pleased as Punch

Быть восхищенной

To play the cards well

Использовать обстоятельства в свою пользу

old woman to back me

старуха, которая субсидирует меня

To melt within oneself

таять, растаять при виде кого-л. или чего-л

To look like a piece of cheese

быть никем, не представлять из себя ничего

Roll in money

купаться в золоте, иметь много денег

To be at a loose end

быть в безвыходном положении

Totakestockofsmb

критически изучать вдоль и поперек

To be head over ears in love with

быть по уши влюбленным в кого-либо

To have one’s feet on the ladder 

стать на ноги, сделать шаг к успеху

To take the rough with the smooth

принимать в жизни и шипы, и розы

Hard as nails 

безжалостный

Maugham W.S. Theatre. [Электронный ресурс].http://www.readbookonline.net/readOnLine/

СэмюэлДж. Рогал. «A William Somerset Maugham Encyclopedia» (1997), издGreenwood Publishing Group, стр. 244, ISBN 9780313299162

Кунин А.В. Курс фразеологии современного английского языка. – М.:"Высшая школа"; Дубна: Издательский центр "Феникс", 1996. – 381 с.

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