X Международная студенческая научная конференция Студенческий научный форум - 2018

Founded in 1951, the Birmingham Museum of Art today has one of the finest collections in the Southeast, with more than 17,000 paintings, sculptures, prints, drawings, and decorative arts representing a numerous diverse cultures, including Asian, European, American, African, Pre-Columbian, and Native American. Among other highlights, the Museum’s collection of Asian art is considered the finest and most comprehensive in the Southeast, and its Vietnamese ceramics one of the finest in the U.S. The Museum also is home to a remarkable Kress collection of Renaissance and Baroque paintings, sculpture, and decorative arts from the late 13th century to c.1750, and the 18th-century European decorative arts include superior examples of English ceramics and French furniture.

The Birmingham Museum of Art is owned by the City of Birmingham and encompasses 3.9 acres in the heart of the city’s cultural district. Erected in 1959, the present building was designed by architects Warren, Knight and Davis, and a major renovation and expansion by Edward Larrabee Barnes of New York was completed in 1993. The facility encompasses 180,000 square feet, including an outdoor sculpture garden.

Highlights of the Permanent Collection

AfricanArt

The Museum’s growing collection of nearly 2,000 objects is derived from the major culture groups of sub-SaharanAfrica and dates from the 12th century to the present. The collection features fine examples of figure sculpture, masks, ritual objects, furniture and household and utilitarian objects, textiles, ceramics and metal arts, with anEgyptian false door, Yoruba mask, Benin bronze hip pendant, divination portrait of a king from Dahomey.

AmericanArt

Spanning the late 18th through mid-20th century, the Museum’s collection of American painting, sculpture, works onpaper, and decorative arts features paintings by Gilbert Stuart, Childe Hassam, and John Singer Sargent; sculpturesby Hiram Powers and Frederic Remington; and important decorative pieces by Tiffany Studios and Frank LloydWright. Considered one of the three most important American landscape paintings, the Museum’s "Looking DownYosemite Valley, California" (1865) by Bierstadt was recently chosen by The National Endowment for the Humanitiesas one of 40 American masterpieces that best depict the people, places, and events that have shaped our countryand tell America’s story.

AsianArt

The Museum’s Asian art collection started with a gift of Chinese textiles in 1951 and today, with more than 4,000objects, is the largest and most comprehensive in the Southeast. The collection hails from China, Korea, Japan, India, and Southeast Asia, featuring the finest collection of Vietnamese ceramics in the U.S., as well as outstandingexamples of Buddhist and Hindu art, lacquer ware, ceramics, paintings, prints, and sculpture. Highlights include a rareMing dynasty temple wall and Tang dynasty tomb figures from China; Jomon period pottery from Japan; andcontemporary works such as "The Grand Residence", considered by Chinese painter Wu Guanzhong among his mostimportant works. Also, on long-term loan from The Smithsonian Institution is the VetlesenJadeCollection of 16th- to19th-century pieces, one of the most important jade collections in the U.S. The Museum has the only gallery forKorean art in the Southeast.

ContemporaryArt

The collection features painting, sculpture, video, photography, works on paper, and installation art that illuminatemovements and trends from the 1960s to the present, with prime examples by internationally renowned artists suchas Joan Mitchell, Bill Viola, Kerry James Marshall, and Philip Guston, as well as works by a younger generation whoare defining the new century. A gallery for the permanent display of Folk Art will be on view from January 2009. Thespace will feature works by Bill Traylor, Thornton Dial, Alabama’s outstanding quilters, and other self-taught artists.

EuropeanArt

Among the highlights of the European art holdings is the KressCollectionofRenaissanceArt, featuringRenaissance and Baroque paintings, sculpture and decorative arts dating from the late 13th century to c.1750, withworks by Pietro Perugino, Antonio Canaletto, and Paris Bordone. Other strengths include 17th-century Dutchpaintings by Jacob van Ruisdael, Ferdinand Bol, and Balthasar van der Ast; British 18th-century painting, withportraits by Thomas Gainsborough and Thomas Lawrence; and 18th- and 19th-century French paintings by Francois-Hubert Drouais, Jean-Baptiste Oudry, Mary Cassatt, Gustave Courbet, and Jean-Baptiste-Camille Corot.

EuropeanDecorativeArts

One of the foundations of the Museum’s permanent collection, the European decorative arts comprise more than12,000 objects including ceramics, glass, and furniture dating from the Renaissance to present day. Notable holdingsinclude the only public collection of late 19th-century European cast iron items in the U.S. and the EugeniaWoodwardHittCollection of 18th-century French art, including furniture of the Louis XIV, XV, and XVI periods, mounted porcelain, gilt bronzes, paintings, and works on paper from the Regénce to the period following the FrenchRevolution. The DwightandLucilleBeesonWedgwoodCollection is the finest outside England, comprising morethan 1,400 objects illustrating the entire production of the Wedgwood factory from its early years through the 19thcentury.

NativeAmericanArt

The museum features a large installation of NativeAmerican arts. The galleries are organized into four culturalgroupings according to region: Eastern Woodlands, Plains, Northwest Coast, and Southwest. Highlights of thecollection include a large grouping of fine Navajo blankets and rugs, an extensive collection of Northwest coast art, and important historic and contemporary Pueblo ceramics. There also are excellent examples of Plains beadwork andstunning shaman headdresses.

Pre-Columbian

The collection features stunning objects from Meso-America, Central America, and the Northern Andes. Highlights from Meso-America include Zapotec ceramics, objects related to the ballgame, Maya figure sculpture, ceramics and jewelry, Aztec stone sculpture, and West Mexican figural tomb sculpture. Cultures of ancient Costa Rica, Guatemala, and Panama are well represented: works include gold jewelry, metates, censors, volcanic stone figure sculpture, and ceramics. Northern Andean objects include Sican ceremonial gold vessels and tumi, ceramics from the Moche, Chimu, Chancay, and Vicus cultures, Incan keros and mummy masks, and Peruvian textiles.

The Charles W. Ireland Sculpture Garden

One of the most distinctive spaces for the display of outdoor art in the southeastern United States, this beautiful multi-level sculpture garden features works by artists such as Fernando Botero, Jacques Lipchitz and Auguste Rodin as well as three site-specific artworks commissioned by the Museum: "Lithos II" (1993) by Elyn Zimmerman, a water wall and pool of textured granite blocks set into the curving east wall of the garden, "Blue Pools Courtyard" (1993) by artist Valerie Jaudon, featuring inlaid tile pools, plantings, and brick and bluestone pavers and Sol Lewitt’s "Bands of Color in Various Directions," commissioned in 2001 in celebration of the Museum’s 50th anniversary.

The Clarence B. Hanson, Jr. Library

Named for Clarence Bloodworth Hanson, Jr., former publisher of The Birmingham News and a Birmingham Museum of Art board member for 24 years, the Museum’s library is one of the most comprehensive art research libraries in the southeastern U.S. Holdings include a broad range of materials including general art reference works, auction catalogues, artists’ files, periodicals, indexes, exhibition catalogs, and databases. The Chellis Wedgwood Collection, the largest and most comprehensive special collection in the world related to Josiah Wedgwood and his manufactures, along with the Beeson rare book holdings, make this the U.S. center for the study of Wedgwood. Among these holdings are letters from John Flaxman and Benjamin West, and Sir William Hamilton’s Collection of Engravings from Antique Vases, known as the Hamilton Folios, the first color-plate books in the history of art.

History

Birmingham Art Club

The roots of the museum date back to 1908 and the founding of the "Birmingham Art Club" which endeavored to amass a public art collection for the benefit of the citizens of Birmingham, which had been founded as a new industrial city only 37 years prior. In 1927 they were able to display their collection in the galleries of the new Birmingham Public Library. Over the next two decades the club continued to add to the collection and raise support in the press and in City Hall for the concept of a new building.

First Exhibition

In September 1950 a governing board was created to oversee the creation of a museum as "an institution of public service, educational and recreational, with all the people welcome." The following February the board hired Richard Foster Howard to serve as the first museum director. In April 1951 the newly-established "Birmingham Museum of Art" presented a public "Opening Exhibition" housed in five unused rooms in City Hall. The exhibition included some pieces from the existing Art Club collection as well as a large number of loaned works from museums across the Eastern half of the United States. The result was considered to be "the finest showing of great objects of art in the South to date."

New Building

The publicity created by the exhibition led to several important gifts, notably of Chinese ceramics and textiles, Japanese prints, Old master prints, costumes, glass, and oil paintings. In 1952 the Samuel H. Kress Foundation presented 29 paintings from the Italian Renaissance as a long-term loan to the new museum, forming the core of the collection of European paintings. A large bequest in 1954 made possible a new museum building. Land was purchased the following year and a design commission for a new museum building was given to the office of Warren Knight & Davis. The "Oscar Wells Memorial Building" opened to the public on May 3, 1959. In the following years the Kress Foundation made two important gifts to the museum: the trusteeship of a collection of Renaissance furniture and decorative objects in 1959, and the deed to the Italian paintings already on loan, along with eight additional works from the same period. The following year, the American Cast Iron Pipe Company loaned its Lamprecht Collection of German cast-iron objects (the largest in the world).

Expansions

A level of upper floor galleries was added to the building's west wing in 1965, and the following year, the Clarence B. Hanson, Jr. Library was opened on the building's first floor. In 1967 a new east wing was completed. Additional land was purchased in 1969, and in 1974 another addition included a three-story rebuilding of the east wing. Further reworking of the east wing added a conservation lab, loading dock, and a second public entrance to the building in 1979, and the following year, gallery space was expanded by 28,000 square feet (2,600 m²). In 1986 another expansion project was planned and architect Edward Larrabee Barnes, in conjunction with local architect KPS Group, Inc., was selected to oversee the design, which included provision for a new outdoor sculpture garden and 50,000 square feet (5,000 m²) of exhibition space bringing the total to 180,000 square feet (15,400 m²).

Notable temporary exhibitions

* The museum is hosting a collection of drawings by Renaissance master Leonardo da Vinci in the fall of 2008. Many of the drawings, which have never before been exhibited together, are from the Codex on the Flight of Birds.

Источники:

1.Wikipedia

2. http://www.culture24.org.uk/home

3.Academic Dictionaries and Encyclopedias

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